Tuesday, December 24, 2019

Essay on Minority Report The Book vs the Movie - 1282 Words

It is a fool-proof system born to ensure absolute safety†¦but when it crumbles, would you go against everything it stands for just to save it? This is the platform that Philip K. Dick, author of the sci-fi short story The Minority Report (MR), has given us. Set in a futuristic New York City, we see Police Commissioner John A. Anderton as the founder of a promising new branch of policing: Precrime, a system that uses Precogs (mutated and retarded oracles) to predict all future crimes. However, the system appears to backfire when Anderton himself is accused to kill a man hes never even heard of. The movie adaptation by the same name also centers on a younger Chief Anderton, a respected employee of Precrime, predicted to murder a complete†¦show more content†¦Kaplan is the retired General of the Army of the Federated Westbloc Alliance (79), aiming to abolish Precrime and re-instate the Army. He is eventually killed when Anderton discovers the plan and fulfills his majority reports and shoots Kaplan, thus condemning himself but saving Precrime. The basis of Precrime’s operation, the three precogs named Jerry, Donna and Mike, are described as grotesque, inarticulate parodies of human beings, with swollen heads and withered bodies, retarded both physiologically and mentally. Their physical repulsiveness is demonstrated by Witwers reaction to seeing the precogs for the first time: For the first time Witwers face [loses] its breezy confidence. A sick, dismayed expression [creeps] into his eyes, a mixture of shame and moral shock. Its not—pleasant, he [murmurs]. I didnt realize they were so— He [gropes] in his mind for the right word, gesticulating. So—deformed.(73). Conversely, in the movie, Anderton can walk with Agatha through a crowded mall and streets without drawing much attention (precogs are even, in fact, deified by the police force and the public). 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Sunday, December 15, 2019

Forward the Foundation Chapter 22 Free Essays

string(145) " of the junta and the rise of this new Emperor, the Empire has been so weak that the governors on the Periphery don’t have to do anything\." Part IV Wanda Seldon SELDON, WANDA-†¦ In the waning years of Hari Seldon’s life, he grew most attached to (some say dependent upon) his granddaughter, Wanda. Orphaned in her teens, Wanda Seldon devoted herself to her grandfather’s Psychohistory Project, filling the vacancy left by Yugo Amaryl†¦ The content of Wanda Seldon’s work remains largely a mystery, for it was conducted in virtually total isolation. The only individuals allowed access to Wanda Seldon’s research were Hari himself and a young man named Stettin Palver (whose descendant Preem would four hundred years later contribute to the rebirth of Trantor, as the planet rose from the ashes of the Great Sack [300 F. We will write a custom essay sample on Forward the Foundation Chapter 22 or any similar topic only for you Order Now E.1). Although the full extent of Wanda Seldon’s contribution to the Foundation is unknown, it was undoubtedly of the greatest magnitude†¦ Encyclopedia Galactica 1 Hari Seldon walked into the Galactic Library (limping a little, as he did more and more often these days) and made for the banks of skitters, the little vehicles that slid their way along the interminable corridors of the building complex. He was held up, however, by the sight of three men seated at one of the galactography alcoves, with the Galactograph showing the Galaxy in full three-dimensional representation and, of course, its worlds slowly pinwheeling around its core, spinning at right angles to that as well. From where Seldon stood he could see that the border Province of Anacreon was marked off in glowing red. It skirted the edge of the Galaxy and took up a great volume, but it was sparsely populated with stars. Anacreon was not remarkable for either wealth or culture but was remarkable for its distance from Trantor: ten thousand parsecs away. Seldon acting on impulse, took a seat at a computer console near the three and set up a random search he was sure would take an indefinite period. Some instinct told him that such an intense interest in Anacreon must be political in nature-its position in the Galaxy made it one of the least secure holdings of the current Imperial regime. His eyes remained on his screen, but Seldon’s ears were open for the discussion near him. One didn’t usually hear political discussions in the Library. They were, in point of fact, not supposed to take place. Seldon did not know any of the three men. That was not entirely surprising. There were habitues of the Library, quite a few, and Seldon knew most of them by sight-and some even to talk to-but the Library was open to all citizens. No qualifications. Anyone could enter and use its facilities. (For a limited period of time, of course. Only a select few, like Seldon were allowed to â€Å"set up shop† in the Library. Seldon had been granted the use of a locked private office and complete access to Library resources.) One of the men (Seldon thought of him as Hook Nose, for obvious reasons) spoke in a low urgent voice. â€Å"Let it go,† he said. â€Å"Let it go. It’s costing us a mint to try to hold on and, even if we do, it will only be while they’re there. They can’t stay there forever and, as soon as they leave, the situation will revert to what it was.† Seldon knew what they were talking about. The news had come over TrantorVision only three days ago that the Imperial government had decided on a show of force to bring the obstreperous Governor of Anacreon into line. Seldon’s own psychohistorical analysis had shown him that it was a useless procedure, but the government did not generally listen when its emotions were stirred. Seldon smiled slightly and grimly at hearing Hook Nose say what he himself had said-and the young man said it without the benefit of any knowledge of psychohistory. Hook Nose went on. â€Å"If we leave Anacreon alone, what do we lose? It’s still there, right where it always was, right at the edge of the Empire. It can’t pick up and go to Andromeda, can it? So it still has to trade with us and life continues. What’s the difference if they salute the Emperor or not? You’ll never be able to tell the difference.† The second man, whom Seldon had labeled Baldy, for even more obvious reasons, said, â€Å"Except this whole business doesn’t exist in a vacuum. If Anacreon goes, the other border provinces will go. The Empire will break up.† â€Å"So what?† whispered Hook Nose fiercely. â€Å"The Empire can’t run itself effectively anymore, anyway. It’s too big. Let the border go and take care of itself-if it can. The Inner Worlds will be all the stronger and better off. The border doesn’t have to be ours politically; it will still be ours economically.† And now the third man (Red Cheeks) said, â€Å"I wish you were right, but that’s not the way it’s going to work. If the border provinces establish their independence, the first thing each will do will be to try to increase its power at the expense of its neighbors. There’ll be war and conflict and every one of the governors will dream of becoming Emperor at last. It will be like the old days before the Kingdom of Trantor-a dark age that will last for thousands of years.† Baldy said, â€Å"Surely things won’t be that bad. The Empire may break up, but it will heal itself quickly when people find out that the breakup just means war and impoverishment. They’ll look back on the golden days of the intact Empire and all will be well again. We’re not barbarians, you know. We’ll find a way.† â€Å"Absolutely,† said Hook Nose. â€Å"We’ve got to remember that the Empire has faced crisis after crisis in its history and has pulled through time and again.† But Red Cheeks shook his head as he said, â€Å"This is not just another crisis. This is something much worse. The Empire has been deteriorating for generations. Ten years’ worth of the junta destroyed the economy and since the fall of the junta and the rise of this new Emperor, the Empire has been so weak that the governors on the Periphery don’t have to do anything. You read "Forward the Foundation Chapter 22" in category "Essay examples" It’s going to fall of its own weight.† â€Å"And the allegiance to the Emperor-† began Hook Nose. â€Å"What allegiance?† said Red Cheeks. â€Å"We went for years without an Emperor after Cleon was assassinated and no one seemed to mind much. And this new Emperor is just a figurehead. There’s nothing he can do. There’s nothing anyone can do. This isn’t a crisis. This is the end. â€Å" The other two stared at Red Cheeks, frowning. Baldy said, â€Å"You really believe it! You think that the Imperial government will just sit there and let it all happen?† â€Å"Yes! Like you two, they won’t believe it is happening. That is, until it’s too late.† â€Å"What would you want them to do if they did believe it?† asked Baldy. Red Cheeks stared into the Galactograph, as if he might find an answer there. â€Å"I don’t know. Look, in due course of time I’ll die; things won’t be too bad by then. Afterward, as the situation gets worse, other people can worry about it. I’ll be gone. And so will the good old days. Maybe forever. I’m not the only one who thinks this, by the way. Ever hear of someone named Hari Seldon?† â€Å"Sure,† said Hook Nose at once. â€Å"Wasn’t he First Minister under Cleon?† â€Å"Yes,† said Red Cheeks. â€Å"He’s some sort of scientist. I heard him give a talk a few months back. It felt good to know I’m not the only one who believes the Empire is falling apart. He said-â€Å" â€Å"And he said everything’s going to pot and there’s going to be a permanent dark age?† Baldy interjected. â€Å"Well no,† said Red Cheeks. â€Å"He’s one of these real cautious types. Ire says it might happen, but he’s wrong. It will happen.† Seldon had heard enough. He limped toward the table where the three men sat and touched Red Cheeks on the shoulder. â€Å"Sir,† he said, â€Å"may I speak to you for a moment?† Startled, Red Cheeks looked up and then he said, â€Å"Hey, aren’t you Professor Seldon?† â€Å"I always have been,† said Seldon. He handed the man a reference tile bearing his photograph. â€Å"I would like to see you here in my Library office at 4 P.M., day after tomorrow. Can you manage that?† â€Å"I have to work.† â€Å"Call in sick if you have to. It’s important.† â€Å"Well, I’m not sure, sir.† â€Å"Do it,† said Seldon. â€Å"If you get into any sort of trouble over it, I’ll straighten it out. And meanwhile, gentlemen, do you mind if I study the Galaxy simulation for a moment? It’s been a long time since I’ve looked at one.† They nodded mutely, apparently abashed at being in the presence of a former First Minister. One by one the men stepped back and allowed Seldon access to the Galactograph controls. Seldon’s finger reached out to the controls and the red that had marked off the Province of Anacreon vanished. The Galaxy was unmarked, a glowing pinwheel of mist brightening into the spherical glow at the center, behind which was the Galactic black hole. Individual stars could not be made out, of course, unless the view were magnified, but then only one portion or another of the Galaxy would be shown on the screen and Seldon wanted to see the whole thing -to get a look at the Empire that was vanishing. He pushed a contact and a series of yellow dots appeared on the Galactic image. They represented the habitable planets-twenty-five million of them. They could be distinguished as individual dots in the thin fog that represented the outskirts of the Galaxy, but they were more and more thickly placed as one moved in toward the center. There was a belt of what seemed solid yellow (but which would separate into individual dots under magnification) around the central glow. The central glow itself remained white and unmarked, of course. No habitable planets could exist in the midst of the turbulent energies of the core. Despite the great density of yellow, not one star in ten thousand, Seldon knew, had a habitable planet circling it. This was true, despite the planet-molding and terraforming capacities of humanity. Not all the molding in the Galaxy could make most of the worlds into anything a human being could walk on in comfort and without the protection of a spacesuit. Seldon closed another contact. The yellow dots disappeared, but one tiny region glowed blue: Trantor and the various worlds directly dependent on it. As close as it could be to the central core and yet remaining insulated from its deadliness, it was commonly viewed as being located at the â€Å"center of the Galaxy,† which it wasn’t-not truly. As usual, one had to be impressed by the smallness of the world of Trantor, a tiny place in the vast realm of the Galaxy, but within it was squeezed the largest concentration of wealth, culture, and governmental authority that humanity had ever seen. And even that was doomed to destruction. It was almost as though the men could read his mind or perhaps they interpreted the sad expression on his face. Baldy asked softly, â€Å"Is the Empire really going to be destroyed?† Seldon replied, softer still, â€Å"It might. It might. Anything might happen.† He rose, smiled at the men, and left, but in his thoughts he screamed: It will! It will! 2 Seldon sighed as he climbed into one of the skitters that were ranked side by side in the large alcove. There had been a time, just a few years ago, when he had gloried in walking briskly along the interminable corridors of the Library, telling himself that even though he was past sixty he could manage it. But now, at seventy, his legs gave way all too quickly and he had to take a skitter. Younger men took them all the time because skitters saved them trouble, but Seldon did it because he had to-and that made all the difference. After Seldon punched in the destination, he closed a contact and the skitter lifted a fraction of an inch above the floor. Off it went at a rather casual pace, very smoothly, very silently, and Seldon leaned back and watched the corridor walls, the other skitters, the occasional walkers. He passed a number of Librarians and, even after all these years, he still smiled when he saw them. They were the oldest Guild in the Empire, the one with the most revered traditions, and they clung to ways that were more appropriate centuries before-maybe millennia before. Their garments were silky and off-white and were loose enough to be almost gownlike, coming together at the neck and billowing out from there. Trantor, like all the worlds, oscillated, where the males were concerned, between facial hair and smoothness. The people of Trantor itself-or at least most of its sectors-were smooth-shaven and had been smooth-shaven for as far back as he knew-excepting such anomalies as the mustaches worn by Dahlites, such as his own foster son, Raych. The Librarians, however, clung to the beards of long ago. Every Librarian had a rather short neatly cultivated beard running from ear to ear but leaving bare the upper lip. That alone was enough to mark them for what they were and to make the smooth-shaven Seldon feel a little uncomfortable when surrounded by a crowd of them. Actually the most characteristic thing of all was the cap each wore (perhaps even when asleep, Seldon thought). Square, it was made of a velvety material, in four parts that came together with a button at the top. The caps came in an endless variety of colors and apparently each color had significance. If you were familiar with Librarian lore, you could tell a particular Librarian’s length of service, area of expertise, grades of accomplishment, and so on. They helped fix a pecking order. Every Librarian could, by a glance at another’s hat, tell whether to be respectful (and to what degree) or overbearing (and to what degree). The Galactic Library was the largest single structure on Trantor (possibly in the Galaxy), much larger than even the Imperial Palace, and it had once gleamed and glittered, as though boasting of its size and magnificence. However, like the Empire itself, it had faded and withered. It was like an old dowager still wearing the jewels of her youth but upon a body that was wrinkled and wattled. The skitter stopped in front of the ornate doorway of the Chief Librarian’s office and Seldon climbed out. Las Zenow smiled as he greeted Seldon. â€Å"Welcome, my friend,† he said in his high-pitched voice. (Seldon wondered if he had ever sung tenor in his younger days but had never dared to ask. The Chief Librarian was a compound of dignity always and the question might have seemed offensive.) â€Å"Greetings,† said Seldon. Zenow had a gray beard, rather more than halfway to white, and he wore a pure white hat. Seldon understood that without any explanation. It was a case of reverse ostentation. The total absence of color represented the highest peak of position. Zenow rubbed his hands with what seemed to be an inner glee. â€Å"I’ve called you in, Hari, because I’ve got good news for you. We’ve found it! â€Å"By ‘it,’ Las, you mean-â€Å" â€Å"A suitable world. You wanted one far out. I think we’ve located the ideal one.† His smile broadened. â€Å"You just leave it to the Library. Hari. We can find anything.† â€Å"I have no doubt, Las. Tell me about this world.† â€Å"Well, let me show you its location first.† A section of the wall slid aside, the lights in the room dimmed, and the Galaxy appeared in three-dimensional form, turning slowly. Again, red lines marked off the Province of Anacreon, so that Seldon could almost swear that the episode with the three men had been a rehearsal for this. And then a brilliant blue dot appeared at the far end of the province. â€Å"There it is,† said Zenow. â€Å"It’s an ideal world. Sizable, well-watered, good oxygen atmosphere, vegetation, of course. A great deal of sea life. It’s there just for the taking. No planet-molding or terraforming required-or, at least, none that cannot be done while it is actually occupied.† Seldon said, â€Å"Is it an unoccupied world, Las?† â€Å"Absolutely unoccupied. No one on it.† â€Å"But why-if it’s so suitable? I presume that, if you have all the details about it, it must have been explored. Why wasn’t it colonized?† â€Å"It was explored, but only by unmanned probes. And there was no colonization-presumably because it was so far from everything. The planet revolves around a star that is farther from the central black hole than that of any inhabited planet-farther by far. Too far, I suppose, for prospective colonists, but I think not too far for you. You said, ‘The farther, the better.’ â€Å" â€Å"Yes,† said Seldon, nodding. â€Å"I still say so. Does it have a name or is there just a letter-number combination?† â€Å"Believe it or not, it has a name. Those who sent out the probes named it Terminus, an archaic word meaning ‘the end of the line.’ Which it would seem to be.† Seldon said, â€Å"Is the world part of the territory of the Province of Anacreon?† â€Å"Not really,† said Zenow. â€Å"If you’ll study the red line and the red shading, you will see that the blue dot of Terminus lies slightly outside it-fifty light-years outside it, in fact. Terminus belongs to nobody; it’s not even part of the Empire, as a matter of fact.† â€Å"You’re right, then, Las. It does seem like the ideal world I’ve been looking for.† â€Å"Of course,† said Zenow thoughtfully, â€Å"once you occupy Terminus, I imagine the Governor of Anacreon will claim it as being under his jurisdiction.† â€Å"That’s possible,† said Seldon, â€Å"but we’ll have to deal with that when 1 he matter comes up.† Zenow rubbed his hands again. â€Å"What a glorious conception. Setting up a huge project on a brand-new world, far away and entirely isolated, so that year by year and decade by decade a huge Encyclopedia of all human knowledge can be put together. An epitome of what is present in this Library. If I were only younger, I would love to join the expedition.† Seldon said sadly, â€Å"You’re almost twenty years younger than I am.† (Almost everyone is far younger than I am, he thought, even more sadly.) Zenow said, â€Å"Ah yes, I heard that you just passed your seventieth birthday. I hope you enjoyed it and celebrated appropriately.† Seldon stirred. â€Å"I don’t celebrate my birthdays.† â€Å"Oh, but you did. I remember the famous story of your sixtieth birthday.† Seldon felt the pain, as deeply as though the dearest loss in all the world had taken place the day before. â€Å"Please don’t talk about it,† he said. Abashed, Zenow said, â€Å"I’m sorry. We’ll talk about something else. If, indeed, Terminus is the world you want, I imagine that your work on the preliminaries to the Encyclopedia Project will be redoubled. As you know, the Library will be glad to help you in all respects.† â€Å"I’m aware of it, Las, and I am endlessly grateful. We will, indeed, keep working.† He rose, not yet able to smile after the sharp pang induced by the reference to his birthday celebration of ten years back. He said, â€Å"So I must go to continue my labors.† And as he left, he felt, as always, a pang of conscience over the deceit he was practicing. Las Zenow did not have the slightest idea of Seldon’s true intentions. 3 Hari Seldon surveyed the comfortable suite that had been his personal office at the Galactic Library these past few years. It, like the rest of the Library, had a vague air of decay about it, a kind of weariness-something that had been too long in one place. And yet Seldon knew it might remain here, in the same place, for centuries more-with judicious rebuildings-for millennia even. How did he come to be here? Over and over again, he felt the past in his mind, ran his mental tendrils along the line of development of his life. It was part of growing older, no doubt. There was so much more in the past, so much less in the future, that the mind turned away from the looming shadow ahead to contemplate the safety of what had gone before. In his case, though, there was that change. For over thirty years psychohistory had developed in what might almost be considered a straight line-progress creepingly slow but moving straight ahead. Then six years ago there had been a right-angled turn-totally unexpected. And Seldon know exactly how it had happened, how a concatenation of events came together to make it possible. It was Wanda, of course, Seldon’s granddaughter. Hari closed his eyes and settled into his chair to review the events of six years before. Twelve-year-old Wanda was bereft. Her mother, Manella, had had another child, another little girl, Bellis, and for a time the new baby was a total preoccupation. Her father, Raych, having finished his book on his home sector of Dahl, found it to be a minor success and himself a minor celebrity. He was called upon to talk on the subject, something he accepted with alacrity, for he was fiercely absorbed in the subject and, as he said to Hari with a grin, â€Å"When I talk about Dahl, I don’t have to hide my Dahlite accent. In fact, the public expects it of me.† The net result, though, was that he was away from home a considerable amount of time and when he wasn’t, it was the baby he wanted to see. As for Dors-Dors was gone-and to Hari Seldon that wound was ever-fresh, ever-painful. And he had reacted to it in an unfortunate manner. It had been Wanda’s dream that had set in motion the current of events that had ended with the loss of Dors. Wanda had had nothing to do with it-Seldon knew that very well. And yet he found himself shrinking from her, so that he also failed her in the crisis brought about by the birth of the new baby. And Wanda wandered disconsolately to the one person who always seemed glad to see her, the one person she could always count on. That WAS Yugo Amaryl, second only to Hari Seldon in the development of psychohistory and first in his absolute round-the-clock devotion to it. Hari had had Dors and Raych, but psychohistory was Yugo’s life; he had no wife and children. Yet whenever Wanda came into his presence, something within him recognized her as a child and he dimly felt-for just that moment-a sense of loss that seemed to be assuaged only by showing the child affection. To be sure, he tended to treat her as a rather undersized adult, but Wanda seemed to like that. It was six years ago that she had wandered into Yugo’s office. Yugo looked up at her with his owlish reconstituted eyes and, as usual, took a moment or two to recognize her. Then he said, â€Å"Why, it’s my dear friend Wanda. But why do you look so sad? Surely an attractive young woman like you should never feel sad.† And Wanda, her lower lip trembling, said, â€Å"Nobody loves me.† â€Å"Oh come, that’s not true.† â€Å"They just love that new baby. They don’t care about me anymore.† â€Å"I love you, Wanda.† â€Å"Well, you’re the only one then, Uncle Yugo.† And even though she could no longer crawl onto his lap as she had when she was younger, she cradled her head on his shoulder and wept. Amaryl, totally unaware of what he should do, could only hug the girl and say, â€Å"Don’t cry. Don’t cry.† And out of sheer sympathy and because he had so little in his own life to weep about, he found that tears were trickling down his own cheeks as well. And then he said with sudden energy, â€Å"Wanda, would you like to see something pretty?† â€Å"What?† sniffled Wanda. Amaryl knew only one thing in life and the Universe that was pretty. He said, â€Å"Did you ever see the Prime Radiant?† â€Å"No. What is it?† â€Å"It’s what your grandfather and I use to do our work. See? It’s right here.† He pointed to the black cube on his desk and Wanda looked at it woefully. â€Å"That’s not pretty,† she said. â€Å"Not now,† agreed Amaryl. â€Å"But watch when I turn it on.† He did so. The room darkened and filled with dots of light and flashes of different colors. â€Å"See? Now we can magnify it so all the dots become mathematical symbols.† And so they did. There seemed a rush of material toward them and there, in the air, were signs of all sorts, letters, numbers, arrows, and shapes that Wanda had never seen before. â€Å"Isn’t it pretty?† asked Amaryl. â€Å"Yes, it is,† said Wanda, staring carefully at the equations that (she didn’t know) represented possible futures. â€Å"I don’t like that part, though. I think it’s wrong.† She pointed at a colorful equation to her left. â€Å"Wrong? Why do you say it’s wrong† said Amaryl, frowning. â€Å"Because it’s not†¦ pretty. I’d do it a different way.† Amaryl cleared his throat. â€Å"Well, I’ll try to fix it up.† And he moved closer to the equation in question, staring at it in his owlish fashion. Wanda said, â€Å"Thank you very much, Uncle Yugo, for showing me your pretty lights. Maybe someday I’ll understand what they mean.† â€Å"That’s all right,† said Amaryl. â€Å"I hope you feel better.† â€Å"A little, thanks,† and, after flashing the briefest of smiles, she left the room. Amaryl stood there, feeling a trifle hurt. He didn’t like having the Prime Radiant’s product criticized-not even by a twelve-year-old girl who knew no better. And as he stood there, he had no idea whatsoever that the psychohistorical revolution had begun. 4 That afternoon Amaryl went to Hari Seldon’s office at Streeling University. That in itself was unusual, for Amaryl virtually never left his own office, even to speak with a colleague just down the hall. â€Å"Hari,† said Amaryl, frowning and looking puzzled. â€Å"Something very odd has happened. Very peculiar.† Seldon looked at Amaryl with deepest sorrow. He was only fifty-three, but he looked much older, bent, worn down to almost transparency. When forced, he had undergone doctors’ examinations and the doctors had all recommended that he leave his work for a period of time (some said permanently) and rest. Only this, the doctors said, might improve his health. Otherwise-Seldon shook his head. â€Å"Take him away from his work and he’ll die all the sooner-and unhappier. We have no choice.† And then Seldon realized that, lost in such thoughts, he was not hearing Amaryl speak. He said, â€Å"I’m sorry, Yugo. I’m a little distracted. Begin again.† Amaryl said, â€Å"I’m telling you that something very odd has happened. Very peculiar.† â€Å"What is it, Yugo?† â€Å"It was Wanda. She came in to see me-very sad, very upset.† â€Å"Why?† â€Å"Apparently it’s the new baby.† â€Å"Oh yes,† Hari said with more than a trace of guilt in his voice. â€Å"So she said and cried on my shoulder-I actually cried a bit, too, Hari. And then I thought I’d cheer her up by showing her the Prime Radiant.† Here Amaryl hesitated, as if choosing his next words carefully. â€Å"Go on, Yugo. What happened?† â€Å"Well, she stared at all the lights and I magnified a portion, actually Section 428254. You’re acquainted with that?† Seldon smiled. â€Å"No, Yugo, I haven’t memorized the equations quite as well as you have.† â€Å"Well, you should,† said Amaryl severely. â€Å"How can you do a good job if-But never mind that. What I’m trying to say is that Wanda pointed to a part of it and said it was no good. It wasn’t pretty. â€Å" â€Å"Why not? We all have our personal likes and dislikes.† â€Å"Yes, of course, but I brooded about it and I spent some time going over it and, Hari, there was something wrong with it. The programming was inexact and that area, the precise area to which Wanda pointed, was no good. And, really, it wasn’t pretty.† Seldon sat up rather stiffly, frowning. â€Å"Let me get this straight, Yugo. She pointed to something at random, said it was no good, and she was right?† â€Å"Yes. She pointed, but it wasn’t at random; she was very deliberate.† â€Å"But that’s impossible.† â€Å"But it happened. I was there.† â€Å"I’m not saying it didn’t happen. I’m saying it was just a wild coincidence.† â€Å"Is it? Do you think, with all your knowledge of psychohistory, you could take one glance at a new set of equations and tell me that one portion is no good?† Seldon said, â€Å"Well then, Yugo, how did you come to expand that particular portion of the equations? What made you choose that piece for magnification?† Amaryl shrugged. â€Å"That was coincidence-if you like. I just fiddled with the controls.† â€Å"That couldn’t be coincidence,† muttered Seldon. For a few moments he was lost in thought, then he asked the question that pushed forward the psychohistorical revolution that Wanda had begun. He said, â€Å"Yugo, did you have any suspicions about those equations beforehand? Did you have any reason to believe there was something wrong with them?† Amaryl fiddled with the sash of his unisuit and seemed embarrassed. â€Å"Yes, I think I did. You see-â€Å" â€Å"You think you did?† â€Å"I know I did. I seemed to recall when I was setting it up-it’s a new section, you know-my fingers seemed to glitch on the programmer. It looked all right then, but I guess I kept worrying about it inside. I remember thinking it looked wrong, but I had other things to do and I just let it go. But then when Wanda happened to point to precisely the area I had been concerned about, I decided to check up on her-otherwise I would just have let it go as a childish statement.† â€Å"And you turned on that very fragment of the equations to show Wanda. As though it were haunting your unconscious mind.† Amaryl shrugged. â€Å"Who knows?† â€Å"And just before that, you were very close together, hugging, both crying.† Amaryl shrugged again, looking even more embarrassed. Seldon said, â€Å"I think I know what happened, Yugo. Wanda read your mind.† Amaryl jumped, as though he had been bitten. â€Å"That’s impossible!† Slowly Seldon said, â€Å"I once knew someone who had unusual mental powers of that sort†-and he thought sadly of Eto Demerzel or, as Seldon had secretly known him, Daneel-â€Å"only he was somewhat more than human. But his ability to read minds, to sense other people’s thoughts, to persuade people to act in a certain way-that was a mental ability. I think, somehow, that perhaps Wanda has that ability as well.† â€Å"I can’t believe it,† said Amaryl stubbornly. â€Å"I can,† said Seldon â€Å"but I don’t know what to do about it.† Dimly lie felt the rumblings of a revolution in psychohistorical research-but only dimly. How to cite Forward the Foundation Chapter 22, Essay examples

Saturday, December 7, 2019

Statue of Liberty Essay Example For Students

Statue of Liberty Essay I chose to write about the Statue of Liberty. The Statue of Liberty serves as a symbolic fixture of the principles America was founded on. She represents freedom, liberty, and opportunity.The location of the Statue of Liberty is an amazing feat in itself, it is right in the middle of a very wide and a very deep Hudson river, and at the time it was brought there, with the limited technology, was amazing. Adding to the location, The State of Liberty as everyone knows is right next to the old customs ports where thousands of hungry, and poor immigrants fresh off the boat would pass through looking for a better life. The fact that Liberty is a woman is an ingenious idea because a woman tends to be more sympathetic and willing to help, if Liberty was a man the statue would seem more cold, stiff, and even militant. Throughout history statues have been built to represent a great moment but the Statue of Liberty was build to symbolize a great idea and country.At that time in history people were flocking to America because they were either being persecuted in their home countries or they were just disappointed at the status of their lives and wanted to come to the land of opportunity to start a new life. This is a great symbol of art because The Statue of Liberty is magnificent in every way, and serves its purpose to a superb level. Like I mentioned previously, location, location, location .. the statues location was perfect back in the days of Ellis Island and is perfect now as a tourist site. Shortly after the immigrants on the boats first spotted the land of their new homes, they came into the Hudson river to see this grand statue, and to most people it wasnt just some lady who was standing in the middle of a river, it was the lady who was going to free them or help them from their inadequate lives. To this point in time, America is now more diverse than it ever was and daily people line up in battery park to take the ferry over to see the Statue and Ellis Island and I believe it is because people want to see and feel what America is really about.

Saturday, November 30, 2019

J.G. Ballards texts Essay Example

J.G. Ballards texts Essay Empire of the Sun is a novel that takes the reader to the pre and post World War 11, and the repercussions of the detonation of the atom bomb over Hiroshima and Nagasaki, through the eyes of a very young British boy trapped in a war where there are no winners.The novel is a first hand description of most of the experiences of the author J.G. Ballard who was interned there from 1942 to 1945 in the same prison camps mentioned in the book. It is a profound and moving account of what it was like to be a boy in Japanese occupied Shanghai at wartime.J.G. Ballards texts have a great deal in common with each other. The Guardian said he is a writer who can be relied upon. He rarely writes much below his best, and if you develop a taste for his preoccupations you will find it satisfied by any of his earlier four books. Clearly this opinion gives the reader the impression that the novel is regarded as impressive and should be enjoyed by the reader. The Guardian went as far to say, indeed, it could be said that if there is still room for a masterpiece about the Second World War, then this is it. Like other masterpieces it gains its initial effect in standing at a slightly oblique and unexpected angle to its subject matter.Ballards heightened sensitivity to violence, as well as the corollary themes of isolation and social chaos, which permeate much of his work, may well have its roots in his childhood in wartime China. Ballards rich metaphoric prose and his emphasis on psychological and technological themes make him a somewhat unique and impressive figure in contemporary literature.Due to the theme being war, the reader can expect the language to be predominately harsh and somewhat vile, this use of language reflects the feelings people have towards war, and the feelings the characters would have felt towards the war. The text can be considered as somewhat surreal writing, that beguiles the reader with its gentleness, yet forces the reader to confront many atrocious episo des concerning the sick, the dying and the dead. The fact that the reader sees them from a childs perspective makes the descriptions even viler and explicitly shocking. His explicit use of language, and his crude descriptions of the events that occur, lead me to the conclusion that Ballard is unemotionally detached from this story, the events are his memories, yet he doesnt appear to put any feeling into the characters, this is especially the case within Jim. There are several occasions, where Jim witnesses brutal behaviour, yet no emotions of remorse or feelings of pity are apparent.Ballard conveys a sense of place, through his descriptions of the different nationalities that are present within the novel. The protagonist British characters are described as stoical throughout the war. The descriptions given presented of the Chinese give the setting of Shanghai. They are constantly described as insignificant people who only survive from the money that the British inject into the coun try. The Japanese, the nation whom instigated the war are seen as the people that give some of the characters hope. This is the case especially for Jim. Their bravery and stoicism impress him. The descriptions given of the Japanese convey a sense of atmosphere. The actions they take create the feelings of many of the characters.The American and Japanese planes are for Jim a symbolism of hope and freedom. Although he idolises the Japanese kamikaze pilots, the sites of the American planes symbolise and signify the end of the war.The novel begins prior to the attack on Pearl Harbour. The significance of the reader recognising this event is clear, as there are many references to the way in which this attack is publicised. To Jims dismay, even the Dean of Shanghai Cathedral had equipped himself with an antique projector. This shows the reader that war was a part of life for the people of Shanghai. This point is emphasised by the opening lines of the novel, Wars came early to Shanghai, ov ertaking each other like the tides that raced up the Yangtze. The dropping of the atom bomb is clearly another significant, event that the reader is supposed to recognise. The descriptions of the event given is complex and in thorough detail. But a flash of light filled the Stadium, flaring over the stands as if an immense American bomb had exploded somewhere to the northeast of Shanghai. Jim smiled at the Japanese, wishing that he could tell him that the light was a premonition of his death, the sight of his small soul joining the larger soul of the dying world. To Jim, the event of the atom bomb was symbolic for the death that was coming to him, and the death that had already reached many, his delirium had reached the stage that disallowed him to realise that the light he was seeing was literally a bomb sent from the Americans.Although Jim is a British boy of the wartime, he has distanced himself from the reality of the war. War as seen through the eyes of a child is an exhilarati ng and mysterious experience that rarely can be related to reality. The childlike disbelief that war will actually occur is evident many times throughout the novel, Sometimes the Pathe newsreels from England gave him the impression that, despite their unbroken series of defeats; the British people were thoroughly enjoying the war. It is clear that war to the British at this stage of the novel was considered a form of entertainment. The fact that whilst Jim was watching the newsreels, all he could think about was going to Dr. Lockwoods party, clearly shows the distance Jim has to the war.Shanghai during the time the novel was set, was inhabited by British, American and French people. These people were the upper class society of China. They were mainly there for their large firms that operated internationally. China was a colony of the British Empire, something, which greatly tormented the Japanese people as they felt they should be the owner of China. This great amount of upper class people had taken over China, and the local inhabitants had become almost inhuman and insignificant. This fact is clear throughout the novel. The opening paragraph demonstrates this sheer insignificance of this nationality of people. Wars came early to Shanghai, overtaking each other like the tides that raced up the Yangtze and returned to this gaudy city all the coffins cast adrift from the funeral piers of the Chinese Bund. The poverty of the Chinese is demonstrated here, the reader is aware that the Chinese cannot even afford to bury their dead. This description is symbolic for the majority of the Chinese race. Their bodies drift away in the wooden coffins, yet are always brought back by the tide, it is almost as if for the Chinese, there is no escape from this land that submises them so greatly. The imagery of the floating corpses introduces the theme of death and survival that pervades the novel.Jims attitude to the Chinese is demonstrated by one simple thing that he says, Ama h, dont touch it! Ill kill you! Clearly Jim has no respect for his Chinese slave, he assumes that he has enough power over her to order her death. The beggar outside Jims house demonstrates the social difference between the Chinese and Western European classes. Usually his mother would caution Yang to avoid the old beggar who lay at the end of the drive. But as Yang swung the heavy car through the gates, barely pausing before he accelerated along Amherst Avenue, Jim saw that the front wheel had crushed the mans foot. Even though the reader is aware that Jim has seen this happen to the old beggar, he doesnt appear to show any remorse or guilt towards the man, this lack of feelings is shown again when Jim witnesses the beheadings. The description given of the beheading is in great detail, but Jim doesnt demonstrate that he has any emotions about this public inhumane act. Usually Jim would have paused to observe the crowd, Jim watched the coolies and the pheasant women staring at the h eadless bodies. Jim is observing the situation in a manner that suggests to the reader that he is used to this sort of behaviour. This fact supports the stereotype that Ballard has as a detached and unemotional writer. Jims lack of emotion would appear almost abnormal to a reader, as a child would be usually upset and more respectful towards the dead, regardless of their nationality. Jims detachment from reality is once again demonstrated.Dr. Lockwoods party shows a strong contrast between the predominant nationalities within the novel. The British are indulging in extravagant parties, as a war is occurring. The party is full of British people dressed in bright exotic outfits, the entertainment consists of Cantonese acrobats climbing their comical ladders and pretending to disappear into the sky. The party is nothing short of what would be expected from the rich Westerners, but readers may regard it as somewhat insensitive to the war situation. The Chinese that are there are quietly removing a dead oriole from the deep end of the now drained swimming-pool. There are twenty Chinese women, dressed in black tunics and trousers, each on a miniature stool. They are sat shoulder-to-shoulder, weeding knives flashing at the grass, while keeping up an unstoppable chatter. Ironically, although the war is occurring, the Chinese people are still working as servants for the British; this shows the lack of importance of the Chinese in comparison to the British who are spending their time at a lavish party.It is during the party that Jims admiration of Japanese pilots first emerges. Whilst exploring an abandoned plane, Jim has his first encounter with the Japanese soldiers. He was about to jump from the blockhouse, when he noticed that a face was looking up at him from the trench. A fully armed Japanese soldier squatted by the broken earth wall, his rifle, webbing and ground sheet laid out beside him as if ready for inspection. An entire company of Japanese infantry was res ting in this old battlefield, as if re-equipping itself from the dead of an earlier war, ghosts of their former comrades risen from the grave and issued with fresh uniforms and rations. The Japanese appear to be like predators from this description, it is as if they are lying in wait for there pray, this is something that later in the novel Jim begins to admire. The descriptions given of the three nationalities, is a great contrast to what their lives are like within Lunghua Camp. There is almost a role reversal between the British and Chinese, and between the British and the Japanese.The Japanese, the instigators of the war, ironically are greatly admired by Jim, a boy from a nationality who would be considered one of their vast amount of enemies. This admiration comes in many forms throughout this novel. Jim was impressed by their bravery and stoicism, and their sadness which struck a curious chord with him, who was never sad. Although Jim deeply admired the Japanese, his admirati on for them grew stronger due to them having the things he didnt. Food the main attributer to life, was something that Jim lacked, and the Japanese had As they smoked their cigarettes the Japanese smiled to themselves, watching Jim devour the shreds of fatty rice. The Japanese soldier who had taken pity on Jim, recognising that this small boy was starving, began to laugh good-naturedly, and pulled the rubber plug from his metal water-bottle. Food is power within this period of time, it is therefore as if the Japanese are in control of all, they control Jim, but fortunately for him, they do not abuse this power. Due to the kindness of the Japanese soldiers, Jims admiration for them has grown. They have helped his survival. This relationship that Jim has with the Japanese occurs many times within the novel.Private Kimura is example of Jim bonding with a Japanese soldier. Private Kimuras kindness to Jim is clear within the form of many events that occur within the time that they know e ach other. Private Kimura had grown almost as much as Jim in his years at the camp. Jims admiration for the Japanese soldier had been noticed and this admiration was fed by Private Kimura often inviting Jim to the bungalow he shared with three other guards and allowed him to wear his kendo armour. This kindness to Jim is later contrasted by the brutal beating of the Chinese Coolie. Like many of Jims previously detailed and dispassionate descriptions of brutal behaviour, the coolies beating isnt described any differently. Private Kimura walked behind the rickshaw and kicked the wooden seat, hurling the vehicle against the coolies legs, raising their staves, they each struck him a blow on the head, then strolled away as if deep in thought. Jim whilst watching this horrid event appeared disconcerned he is described to be wondering whether to read an article about Winston Churchill. All of the British internees of the camp are described to be unconcerned and only sit and observe the eve nt, this demonstrates the differences of nationality status, although the Chinese and the British are both prisoners of war, under the Japanese authority, the Chinese are not given the right to be in a camp and to be looked after, even during times of war, they are inferior to the British and the Americans. The fact that no British internee would help the Chinese coolie shows their sheer unimportance within the eyes of the British. Jims upbringing is questionable here. Is he so disconcerned about the brutal event, as he has been hardened by war, or is he so disconcerned due to him being used to this kind of behaviour bestowed upon the Chinese. The most likely answer would be that he is used to this insignificance for Human life regardless of nationality.The Americans role within the novel is to bring hope. Jim is the predominant character that symbolises this hope. The first American characters to be introduced demonstrate this. Basie and Frank, appear to be using the war as a way t o make money, they appear to be disconcerned for their own safety. Frank says that Basie wants to stay in Shanghai now the Japs are here. He thinks we can make a pile of money once we get to the camps. Dr Ransome, someone whom isnt particularly fond of Basie tells Jim that its a good thing that youre friends with Basie. Hes a survivor, though survivors can be dangerous.Many internees consider the American blocks within the camp as the place to be, the place where everything is happening. Jim liked the Americans and approved of them in every way. Whenever he entered this enclave of irony and good humour his spirits rose. There they lay on their bunks and entertained a steady stream of adolescent girls, single British women and even a few wives drawn to them for reasons not very different from Jims. The Americans were clearly the idealised nationality within the camp that held a presence that made them appear to not have any cares in the world, this presence kept many people alive. Th e Americans symbolised hope, this hope for Jim, came within the shape of the American warplanes. Fearsome American planes emerged like pieces of the sun. Jim reflected that the prisoners ought to celebrate, throw their clogs in the air, seize the air raid siren and play it back at the incoming American planes. Although for the prisoners, this should have been a great moment, it wasnt. The repercussions of the war had taken its toll on many of the prisoners, and many like Jim were almost scared to leave the camp, for fear of what life without routine and rules would be like again.The British internees at Lunghua Camp, unlike the Americans refuse to take in the facts that they are prisoners of war, this is evident by due to the fact that they have named parts of the camp after British roads and places. The Vincents, the people whom Jim shared a room with, completely disregarded Jim, even though nationality wise he was one of there own. Mrs Vincent is described as treating Jim like her Number Two Coolie, and he was well aware that he tolerated this for reasons he barely understood. Ironically, the British who treat all Chinese with disrespect are treating Jim one of their own, in the same manner. The fact that Jim is only a child makes the situation even more callus. Mrs Vincent a woman who is already a mother, is pushing away a young boy, and not giving him any help what so ever. The curtain that the Vincents have up within the room is a clear indicator to Jim and to the audience that the Vincents do not want any part in Jims life. They do want to face the realities of war and work together, they want to remain a happy, private family.The British before the war, were described as being lavish and exotic people, they are now within the camp, shown to be the people who are the more feeble race. They are constantly described to be sat in their own excrement, something, which by many is considered to be degrading, and generally an embarrassing situation. The old wom en lay in the pools of urine at their husbands feet. The English brothers huddled against Basie while Mrs Hug leaned on her fathers knees. This description is a complete contrast to the previous way in which the British people were described, this description is somewhat similar to the constant way in which the Chinese people are thought of and said to be like.Mr Maxted and Dr Ransome two of the central British characters within the novel are separated from the typical British people. They are both characters that give the other internees hope. They both take on roles of responsibility within the camp. Dr Ransome is not only a doctor for the people, along with Basie; he is Jims tutor. He therefore provides medical help for internees and mental stimulation for Jim. He could therefore be considered as a person of power within the camp, he has to some extent the power to maintain peoples health, and with regards to Jim, he has the power of knowledge.Mr Maxted, towards the beginning of the novel, is described as a very easygoing man, Jim admired Mr Maxted, an architect turned entrepreneur who had designed the Metropole Theatre and numerous Shanghai nightclubs. Jim often tried to imitate his raffish manner, but soon found that being so relaxed was exhausting work, Mr Maxted was the perfect type of Englishman who had adapted himself to Shanghai. Mr Maxted is clearly an easygoing person, whom is adaptable to many situations. This attribute would help any person survive within the camp circumstances. Mr Maxted on many occasions assists Jim with getting food, making sure he is okay, tasks that an almost father figure would do. Mr Maxted can therefore be considered as a father figure to Jim that remains calm and collected, for the benefit of Jim and many others. Even with the foreboding events that lead to the death of Mr Maxted, he remains calm and gives Jim hope, in every situation possible. Good lad, Jamie you hang on. Mr Maxted is remaining hopeful for the sake of this young boy, whom without people to keep him occupied and hopeful, would more than likely be drawing near to his end.Jim although a British born character, adopts and idolises many other nationality traits. Jims dream is to become a Japanese pilot; this is ironic, as it is the Japanese who are keeping the British people within confinement. On numerous occasions, Jim tells the internees of Lunghua Camp, that he wishes to be a Japanese Kamikaze pilot, and how he admires their bravery and stoicism. Jims cultural upbringing and multicultural town, make him aware of cultural traits and differences between people from different nationalities. As he is only a young boy, Jim would be more inclined to adopt some of these multicultural traits and admire them; therefore his admiration for the Japanese isnt unexpected.Jims friendship with the young Japanese pilot makes the reader look upon the Japanese in a not so harsh light. The Japanese raised his wooden stake. Like a sleeper waking from a dream, he hurled it into the nettles. As Jim flinched, he reached into the waist-pocket of his flight overalls and drew out a small mango.Jim took the yellow fruit from the pilots calloused hand. The mango was still warm from his body. This act of kindness shown from the young Japanese pilot, shows the reader that the Japanese are not all cruel people, although they instigated this particular war, they are at war as well, things concerning food etc, are a problem for them to, and the fact that he has given Jim this exotic piece of fruit demonstrates the Japaneses kindness.The novels ends on a somewhat sombre note, although Shanghai has returned to the normal bustling city that it used to be, Jim has grown up and begun to notice the horrors of it, he has in many ways become aware of the horrors that the Chinese suffer from day to day. Jims confinement within the war has opened up his mind to what is right and wrong in respect to the way in which people are treated. When he witnesse s the British and American sailors urinating down the steps, this new awareness becomes evident. Fifty feet below them, the Chinese watched without comment as the arcs of urine formed a foaming stream that ran down the street. When it reached the pavement the Chinese stepped back, their faces expressionless. Jim glanced at the people around him, the clerks and coolies and peasant women, well aware of what they were thinking. One day China would punish the rest of the world, and take a frightening revenge. Jims time within the camp has made him realise that the Chinese are actually alive, their existence has actually become noticeable to Jim, and he now disagrees with the cruel treatment that he once issued onto them.The final paragraph of the novel is very similar to the beginning paragraph, except the mood is greatly different. The description unlike many in the book appears to have a sense of sadness and feeling to it. Previously when the Chinese coffins were described, a brief de scription was just given, whereas now, the description ends driven once again to the shores of this terrible city. This feeling added to the final description given of Shanghai, makes the ending of the book powerful. Ballard known not to include any feeling into his work, ends his story with an impact on the reader, they are aware that Jim feels a sense of sadness and possible hatred to the city that he once thought was a great place to be.This novel is a first hand description of a war experience, and is therefore considered by many as a masterpiece. This novel leaves nothing to the imagination, everything is described in great detail, and in a way that paints a picture in the readers mind. This effective use of detached unemotional memories makes the descriptions powerful and creates emotions within the reader.This novel is considered by the Guardian as above all, a book of triumph and truthfulness of tone. Ballards rich metaphoric prose and his emphasis on psychological and techn ological themes make him a somewhat unique and impressive figure in contemporary literature. Ballards work although considered by many as somewhat grotesque, is thoroughly enjoyed by many today as a great novel, I would agree with this, it is interesting to read, and every word and description grips the readers attention. J.G. Ballards texts Essay Example J.G. Ballards texts Essay Empire of the Sun is a novel that takes the reader to the pre and post World War 11, and the repercussions of the detonation of the atom bomb over Hiroshima and Nagasaki, through the eyes of a very young British boy trapped in a war where there are no winners.The novel is a first hand description of most of the experiences of the author J.G. Ballard who was interned there from 1942 to 1945 in the same prison camps mentioned in the book. It is a profound and moving account of what it was like to be a boy in Japanese occupied Shanghai at wartime.J.G. Ballards texts have a great deal in common with each other. The Guardian said he is a writer who can be relied upon. He rarely writes much below his best, and if you develop a taste for his preoccupations you will find it satisfied by any of his earlier four books. Clearly this opinion gives the reader the impression that the novel is regarded as impressive and should be enjoyed by the reader. The Guardian went as far to say, indeed, it could be said that if there is still room for a masterpiece about the Second World War, then this is it. Like other masterpieces it gains its initial effect in standing at a slightly oblique and unexpected angle to its subject matter.Ballards heightened sensitivity to violence, as well as the corollary themes of isolation and social chaos, which permeate much of his work, may well have its roots in his childhood in wartime China. Ballards rich metaphoric prose and his emphasis on psychological and technological themes make him a somewhat unique and impressive figure in contemporary literature.Due to the theme being war, the reader can expect the language to be predominately harsh and somewhat vile, this use of language reflects the feelings people have towards war, and the feelings the characters would have felt towards the war. The text can be considered as somewhat surreal writing, that beguiles the reader with its gentleness, yet forces the reader to confront many atrocious episo des concerning the sick, the dying and the dead. The fact that the reader sees them from a childs perspective makes the descriptions even viler and explicitly shocking. His explicit use of language, and his crude descriptions of the events that occur, lead me to the conclusion that Ballard is unemotionally detached from this story, the events are his memories, yet he doesnt appear to put any feeling into the characters, this is especially the case within Jim. There are several occasions, where Jim witnesses brutal behaviour, yet no emotions of remorse or feelings of pity are apparent.Ballard conveys a sense of place, through his descriptions of the different nationalities that are present within the novel. The protagonist British characters are described as stoical throughout the war. The descriptions given presented of the Chinese give the setting of Shanghai. They are constantly described as insignificant people who only survive from the money that the British inject into the coun try. The Japanese, the nation whom instigated the war are seen as the people that give some of the characters hope. This is the case especially for Jim. Their bravery and stoicism impress him. The descriptions given of the Japanese convey a sense of atmosphere. The actions they take create the feelings of many of the characters.The American and Japanese planes are for Jim a symbolism of hope and freedom. Although he idolises the Japanese kamikaze pilots, the sites of the American planes symbolise and signify the end of the war.The novel begins prior to the attack on Pearl Harbour. The significance of the reader recognising this event is clear, as there are many references to the way in which this attack is publicised. To Jims dismay, even the Dean of Shanghai Cathedral had equipped himself with an antique projector. This shows the reader that war was a part of life for the people of Shanghai. This point is emphasised by the opening lines of the novel, Wars came early to Shanghai, ov ertaking each other like the tides that raced up the Yangtze. The dropping of the atom bomb is clearly another significant, event that the reader is supposed to recognise. The descriptions of the event given is complex and in thorough detail. But a flash of light filled the Stadium, flaring over the stands as if an immense American bomb had exploded somewhere to the northeast of Shanghai. Jim smiled at the Japanese, wishing that he could tell him that the light was a premonition of his death, the sight of his small soul joining the larger soul of the dying world. To Jim, the event of the atom bomb was symbolic for the death that was coming to him, and the death that had already reached many, his delirium had reached the stage that disallowed him to realise that the light he was seeing was literally a bomb sent from the Americans.Although Jim is a British boy of the wartime, he has distanced himself from the reality of the war. War as seen through the eyes of a child is an exhilarati ng and mysterious experience that rarely can be related to reality. The childlike disbelief that war will actually occur is evident many times throughout the novel, Sometimes the Pathe newsreels from England gave him the impression that, despite their unbroken series of defeats; the British people were thoroughly enjoying the war. It is clear that war to the British at this stage of the novel was considered a form of entertainment. The fact that whilst Jim was watching the newsreels, all he could think about was going to Dr. Lockwoods party, clearly shows the distance Jim has to the war.Shanghai during the time the novel was set, was inhabited by British, American and French people. These people were the upper class society of China. They were mainly there for their large firms that operated internationally. China was a colony of the British Empire, something, which greatly tormented the Japanese people as they felt they should be the owner of China. This great amount of upper class people had taken over China, and the local inhabitants had become almost inhuman and insignificant. This fact is clear throughout the novel. The opening paragraph demonstrates this sheer insignificance of this nationality of people. Wars came early to Shanghai, overtaking each other like the tides that raced up the Yangtze and returned to this gaudy city all the coffins cast adrift from the funeral piers of the Chinese Bund. The poverty of the Chinese is demonstrated here, the reader is aware that the Chinese cannot even afford to bury their dead. This description is symbolic for the majority of the Chinese race. Their bodies drift away in the wooden coffins, yet are always brought back by the tide, it is almost as if for the Chinese, there is no escape from this land that submises them so greatly. The imagery of the floating corpses introduces the theme of death and survival that pervades the novel.Jims attitude to the Chinese is demonstrated by one simple thing that he says, Ama h, dont touch it! Ill kill you! Clearly Jim has no respect for his Chinese slave, he assumes that he has enough power over her to order her death. The beggar outside Jims house demonstrates the social difference between the Chinese and Western European classes. Usually his mother would caution Yang to avoid the old beggar who lay at the end of the drive. But as Yang swung the heavy car through the gates, barely pausing before he accelerated along Amherst Avenue, Jim saw that the front wheel had crushed the mans foot. Even though the reader is aware that Jim has seen this happen to the old beggar, he doesnt appear to show any remorse or guilt towards the man, this lack of feelings is shown again when Jim witnesses the beheadings. The description given of the beheading is in great detail, but Jim doesnt demonstrate that he has any emotions about this public inhumane act. Usually Jim would have paused to observe the crowd, Jim watched the coolies and the pheasant women staring at the h eadless bodies. Jim is observing the situation in a manner that suggests to the reader that he is used to this sort of behaviour. This fact supports the stereotype that Ballard has as a detached and unemotional writer. Jims lack of emotion would appear almost abnormal to a reader, as a child would be usually upset and more respectful towards the dead, regardless of their nationality. Jims detachment from reality is once again demonstrated.Dr. Lockwoods party shows a strong contrast between the predominant nationalities within the novel. The British are indulging in extravagant parties, as a war is occurring. The party is full of British people dressed in bright exotic outfits, the entertainment consists of Cantonese acrobats climbing their comical ladders and pretending to disappear into the sky. The party is nothing short of what would be expected from the rich Westerners, but readers may regard it as somewhat insensitive to the war situation. The Chinese that are there are quietly removing a dead oriole from the deep end of the now drained swimming-pool. There are twenty Chinese women, dressed in black tunics and trousers, each on a miniature stool. They are sat shoulder-to-shoulder, weeding knives flashing at the grass, while keeping up an unstoppable chatter. Ironically, although the war is occurring, the Chinese people are still working as servants for the British; this shows the lack of importance of the Chinese in comparison to the British who are spending their time at a lavish party.It is during the party that Jims admiration of Japanese pilots first emerges. Whilst exploring an abandoned plane, Jim has his first encounter with the Japanese soldiers. He was about to jump from the blockhouse, when he noticed that a face was looking up at him from the trench. A fully armed Japanese soldier squatted by the broken earth wall, his rifle, webbing and ground sheet laid out beside him as if ready for inspection. An entire company of Japanese infantry was res ting in this old battlefield, as if re-equipping itself from the dead of an earlier war, ghosts of their former comrades risen from the grave and issued with fresh uniforms and rations. The Japanese appear to be like predators from this description, it is as if they are lying in wait for there pray, this is something that later in the novel Jim begins to admire. The descriptions given of the three nationalities, is a great contrast to what their lives are like within Lunghua Camp. There is almost a role reversal between the British and Chinese, and between the British and the Japanese.The Japanese, the instigators of the war, ironically are greatly admired by Jim, a boy from a nationality who would be considered one of their vast amount of enemies. This admiration comes in many forms throughout this novel. Jim was impressed by their bravery and stoicism, and their sadness which struck a curious chord with him, who was never sad. Although Jim deeply admired the Japanese, his admirati on for them grew stronger due to them having the things he didnt. Food the main attributer to life, was something that Jim lacked, and the Japanese had As they smoked their cigarettes the Japanese smiled to themselves, watching Jim devour the shreds of fatty rice. The Japanese soldier who had taken pity on Jim, recognising that this small boy was starving, began to laugh good-naturedly, and pulled the rubber plug from his metal water-bottle. Food is power within this period of time, it is therefore as if the Japanese are in control of all, they control Jim, but fortunately for him, they do not abuse this power. Due to the kindness of the Japanese soldiers, Jims admiration for them has grown. They have helped his survival. This relationship that Jim has with the Japanese occurs many times within the novel.Private Kimura is example of Jim bonding with a Japanese soldier. Private Kimuras kindness to Jim is clear within the form of many events that occur within the time that they know e ach other. Private Kimura had grown almost as much as Jim in his years at the camp. Jims admiration for the Japanese soldier had been noticed and this admiration was fed by Private Kimura often inviting Jim to the bungalow he shared with three other guards and allowed him to wear his kendo armour. This kindness to Jim is later contrasted by the brutal beating of the Chinese Coolie. Like many of Jims previously detailed and dispassionate descriptions of brutal behaviour, the coolies beating isnt described any differently. Private Kimura walked behind the rickshaw and kicked the wooden seat, hurling the vehicle against the coolies legs, raising their staves, they each struck him a blow on the head, then strolled away as if deep in thought. Jim whilst watching this horrid event appeared disconcerned he is described to be wondering whether to read an article about Winston Churchill. All of the British internees of the camp are described to be unconcerned and only sit and observe the eve nt, this demonstrates the differences of nationality status, although the Chinese and the British are both prisoners of war, under the Japanese authority, the Chinese are not given the right to be in a camp and to be looked after, even during times of war, they are inferior to the British and the Americans. The fact that no British internee would help the Chinese coolie shows their sheer unimportance within the eyes of the British. Jims upbringing is questionable here. Is he so disconcerned about the brutal event, as he has been hardened by war, or is he so disconcerned due to him being used to this kind of behaviour bestowed upon the Chinese. The most likely answer would be that he is used to this insignificance for Human life regardless of nationality.The Americans role within the novel is to bring hope. Jim is the predominant character that symbolises this hope. The first American characters to be introduced demonstrate this. Basie and Frank, appear to be using the war as a way t o make money, they appear to be disconcerned for their own safety. Frank says that Basie wants to stay in Shanghai now the Japs are here. He thinks we can make a pile of money once we get to the camps. Dr Ransome, someone whom isnt particularly fond of Basie tells Jim that its a good thing that youre friends with Basie. Hes a survivor, though survivors can be dangerous.Many internees consider the American blocks within the camp as the place to be, the place where everything is happening. Jim liked the Americans and approved of them in every way. Whenever he entered this enclave of irony and good humour his spirits rose. There they lay on their bunks and entertained a steady stream of adolescent girls, single British women and even a few wives drawn to them for reasons not very different from Jims. The Americans were clearly the idealised nationality within the camp that held a presence that made them appear to not have any cares in the world, this presence kept many people alive. Th e Americans symbolised hope, this hope for Jim, came within the shape of the American warplanes. Fearsome American planes emerged like pieces of the sun. Jim reflected that the prisoners ought to celebrate, throw their clogs in the air, seize the air raid siren and play it back at the incoming American planes. Although for the prisoners, this should have been a great moment, it wasnt. The repercussions of the war had taken its toll on many of the prisoners, and many like Jim were almost scared to leave the camp, for fear of what life without routine and rules would be like again.The British internees at Lunghua Camp, unlike the Americans refuse to take in the facts that they are prisoners of war, this is evident by due to the fact that they have named parts of the camp after British roads and places. The Vincents, the people whom Jim shared a room with, completely disregarded Jim, even though nationality wise he was one of there own. Mrs Vincent is described as treating Jim like her Number Two Coolie, and he was well aware that he tolerated this for reasons he barely understood. Ironically, the British who treat all Chinese with disrespect are treating Jim one of their own, in the same manner. The fact that Jim is only a child makes the situation even more callus. Mrs Vincent a woman who is already a mother, is pushing away a young boy, and not giving him any help what so ever. The curtain that the Vincents have up within the room is a clear indicator to Jim and to the audience that the Vincents do not want any part in Jims life. They do want to face the realities of war and work together, they want to remain a happy, private family.The British before the war, were described as being lavish and exotic people, they are now within the camp, shown to be the people who are the more feeble race. They are constantly described to be sat in their own excrement, something, which by many is considered to be degrading, and generally an embarrassing situation. The old wom en lay in the pools of urine at their husbands feet. The English brothers huddled against Basie while Mrs Hug leaned on her fathers knees. This description is a complete contrast to the previous way in which the British people were described, this description is somewhat similar to the constant way in which the Chinese people are thought of and said to be like.Mr Maxted and Dr Ransome two of the central British characters within the novel are separated from the typical British people. They are both characters that give the other internees hope. They both take on roles of responsibility within the camp. Dr Ransome is not only a doctor for the people, along with Basie; he is Jims tutor. He therefore provides medical help for internees and mental stimulation for Jim. He could therefore be considered as a person of power within the camp, he has to some extent the power to maintain peoples health, and with regards to Jim, he has the power of knowledge.Mr Maxted, towards the beginning of the novel, is described as a very easygoing man, Jim admired Mr Maxted, an architect turned entrepreneur who had designed the Metropole Theatre and numerous Shanghai nightclubs. Jim often tried to imitate his raffish manner, but soon found that being so relaxed was exhausting work, Mr Maxted was the perfect type of Englishman who had adapted himself to Shanghai. Mr Maxted is clearly an easygoing person, whom is adaptable to many situations. This attribute would help any person survive within the camp circumstances. Mr Maxted on many occasions assists Jim with getting food, making sure he is okay, tasks that an almost father figure would do. Mr Maxted can therefore be considered as a father figure to Jim that remains calm and collected, for the benefit of Jim and many others. Even with the foreboding events that lead to the death of Mr Maxted, he remains calm and gives Jim hope, in every situation possible. Good lad, Jamie you hang on. Mr Maxted is remaining hopeful for the sake of this young boy, whom without people to keep him occupied and hopeful, would more than likely be drawing near to his end.Jim although a British born character, adopts and idolises many other nationality traits. Jims dream is to become a Japanese pilot; this is ironic, as it is the Japanese who are keeping the British people within confinement. On numerous occasions, Jim tells the internees of Lunghua Camp, that he wishes to be a Japanese Kamikaze pilot, and how he admires their bravery and stoicism. Jims cultural upbringing and multicultural town, make him aware of cultural traits and differences between people from different nationalities. As he is only a young boy, Jim would be more inclined to adopt some of these multicultural traits and admire them; therefore his admiration for the Japanese isnt unexpected.Jims friendship with the young Japanese pilot makes the reader look upon the Japanese in a not so harsh light. The Japanese raised his wooden stake. Like a sleeper waking from a dream, he hurled it into the nettles. As Jim flinched, he reached into the waist-pocket of his flight overalls and drew out a small mango.Jim took the yellow fruit from the pilots calloused hand. The mango was still warm from his body. This act of kindness shown from the young Japanese pilot, shows the reader that the Japanese are not all cruel people, although they instigated this particular war, they are at war as well, things concerning food etc, are a problem for them to, and the fact that he has given Jim this exotic piece of fruit demonstrates the Japaneses kindness.The novels ends on a somewhat sombre note, although Shanghai has returned to the normal bustling city that it used to be, Jim has grown up and begun to notice the horrors of it, he has in many ways become aware of the horrors that the Chinese suffer from day to day. Jims confinement within the war has opened up his mind to what is right and wrong in respect to the way in which people are treated. When he witnesse s the British and American sailors urinating down the steps, this new awareness becomes evident. Fifty feet below them, the Chinese watched without comment as the arcs of urine formed a foaming stream that ran down the street. When it reached the pavement the Chinese stepped back, their faces expressionless. Jim glanced at the people around him, the clerks and coolies and peasant women, well aware of what they were thinking. One day China would punish the rest of the world, and take a frightening revenge. Jims time within the camp has made him realise that the Chinese are actually alive, their existence has actually become noticeable to Jim, and he now disagrees with the cruel treatment that he once issued onto them.The final paragraph of the novel is very similar to the beginning paragraph, except the mood is greatly different. The description unlike many in the book appears to have a sense of sadness and feeling to it. Previously when the Chinese coffins were described, a brief de scription was just given, whereas now, the description ends driven once again to the shores of this terrible city. This feeling added to the final description given of Shanghai, makes the ending of the book powerful. Ballard known not to include any feeling into his work, ends his story with an impact on the reader, they are aware that Jim feels a sense of sadness and possible hatred to the city that he once thought was a great place to be.This novel is a first hand description of a war experience, and is therefore considered by many as a masterpiece. This novel leaves nothing to the imagination, everything is described in great detail, and in a way that paints a picture in the readers mind. This effective use of detached unemotional memories makes the descriptions powerful and creates emotions within the reader.This novel is considered by the Guardian as above all, a book of triumph and truthfulness of tone. Ballards rich metaphoric prose and his emphasis on psychological and techn ological themes make him a somewhat unique and impressive figure in contemporary literature. Ballards work although considered by many as somewhat grotesque, is thoroughly enjoyed by many today as a great novel, I would agree with this, it is interesting to read, and every word and description grips the readers attention.

Tuesday, November 26, 2019

Leni Riefenstahl Hsc Question Response Essay Example

Leni Riefenstahl Hsc Question Response Essay Example Leni Riefenstahl Hsc Question Response Essay Leni Riefenstahl Hsc Question Response Essay Describe the life of the personality you have studied. (10 Marks) From the very beginning, Leni Riefenstahl was a strong willed, determined and dedicated person. Her life was very complicated and interesting and can be described through many key events. These key events include her childhood, de-nazification and her various careers as a dancer, actress, film director/maker and photographer. Leni Riefenstahl was born in Berlin, 1902, in a strict family. She became very close with her mother Bertha, but her relationship with her father Alfred, was often strained. Throughout her teen years, Leni became a great skater, gymnast and swimmer due to her artistic talent. Following her childhood, Leni Riefenstahl became a brilliant dancer in the 1920s, during the time of the Weimar Republic. There was a free attmosphere at this time where many oppurtinities were available. Leni used this time wisely and took advantage of the careers she was intereted in. Also, her great, physical body (cult of the body) promoted her dancing career. She was an expressionistic dancer who was open to experimentation and improvisation. However, due to a knee injury during her career, she was unable to continue and left dancing for good. On her way to the doctors after her knee injury, Riefenstahl happened to see a poster of the film Mountain of Destiny, directed by Arnold Fanck. She was immediately interested and went to watch the film instead of repairing her knee. Her enthusiasm and strength of will led her to becoming an actress after seeing some of Fancks films. She began her career as an actress during the late 1920s/early 1930s. Her dedication and determination led her to achieving her goal and she starred in her first film The Holy Mountain. During these times Berg Films (Mountain Films) were very common and popular and thus, many of the films Leni starred in were Berg Films. As her acting career progressed, the director Fanck, became very ill and sick. He was unable to work anymore and due to Lenis strong will and disciplined mind, Fanck allowed her to continue directing. She completed irecting The Holy Mountain whilst starring in the film at the same time and soon, she began directing her own films. The Blue Light was the first film that Leni fully directed and was quite successful as it won many awards. Also, Lenis zeal and determination in the film attracted Hitlers attention. Hitler then asked her to film many of his speeches and rally films. She accepted and directed Victory of Faith, which was seen as a success to the Nazis. Hitler then asked her to film Triumph of the Will. She bowed to the innevitable and directed the film. Leni was the only female film director in the film industry as all other directors were men, making the men very jealous of her. Also, she had an advantage in film directing due to the forced migration of the Jews out of Germany by Hitler (most of the film directors were Jews). As well as a film director, Leni Riefenstahl also became a film editor, financer, writer, producer and film maker. She was known as a Film Auteur (all-round film maker) and the first woman in Germany to become one. An example is a documentary on the Berlin Olympics titled Olympia. It won many of awards due to Lenis supreme talent . During World War II, Leni was working on a Berg film titled Tiefland. However, when the war had ended, she was arrested by the Allies and production of the film stopped. She was accused of being a Nazi due to the close relationship with Hitler and the Nazis, so she was put on a de-nazification program where many tribunals were held to see if she was a Nazi. After many months, Leni was considered de-nazified, however, she found that she could not continue in film directing. Prior to her de-nazification, Leni undertook photography and recorded images of the Nuba people in Sudan. She then proceeded in underwater photography in her early 70s and continued into her 90s. Leni Riefenstahl died at the age of 101 in 2003 and was seen to many people, particularly women, as a feminist pioneer. In conclusion, the key events of Leni Riefenstahls life, such as her childhood, de-nazification and her various careers as a dancer, actress, film director/maker and photographer, as well as her stong will and determination, can be used to describe her life.

Friday, November 22, 2019

A World Without Sound Essay Sample

â€Å"I don’t want to be bothered by noise. I’m tired of hearing atrocious things. † I do non kick anymore†¦ good. about noise at least. I am now deaf. I see smiling faces but can non hear laughter. I am able to feel concern and fright. but no longer can I hear someone’s calls and shrieks. Spoken discourse differs from written because one is able to set up emotionally the way of the conversation through voice. The inflexion of one’s voice can alter the signifier of the words to show peculiar properties. â€Å"She talks a batch. † can be said with a somber tone because it is factual. If it is said with backtalk. person finds the girl’s gabbing to be an irritation. Life has non changed drastically. Most of what I did as a hearing individual I am able to make now. but I miss â€Å"smaller things. † I miss telling takeaway over the telephone and waking up to birds peeping. I even miss being awoken by the Sirens on exigency vehicles tardily at dark. I am non entirely in this silent universe ; everyone is deaf. Everyone has fallen victim to a awful virus. No 1 is certain as to how or why the virus came approximately. The deafening virus is viewed both positively and negatively. I find comfort in sharing my experience with friends. household. and even aliens. Everyone throughout the universe is confronting a similar state of affairs: life without sound. Deafness has ever existed ; there are audile instructors and address healers that have been educated and trained to help persons sing partial or entire hearing loss. Unfortunately. the universe population outnumbers these persons. and they. excessively are deaf. Hearing AIDSs and cochlear implants are available. excessively. to help with hearing loss. However. to keep these devices can be dearly-won. and in the instance of cochlear implants. invasive surgery is required. Documented every bit early as the 5th century B. C. in Plato’s Cratylus. groups of deaf people have used gestural linguistic communication: â€Å"If we hadn’t a voice or a lingua. and wanted to show things to one another. wouldn’t we try to do marks by traveling our custodies. caput. and the remainder of our organic structure. merely as dense people do at nowadays? † Sign linguistic communication is defined as a linguistic communication that uses manual communicating and organic structure linguistic communication to convey significance. Sign linguistic communication may affect at the same time uniting manus forms. orientation and motion of the custodies. weaponries or organic structure. and facial looks to show the speaker’s ideas. Sign languages exhibit the same lingual belongingss and use the same biological abilities. as do unwritten linguistic communications. Persons are propelled to increase their cognition. accomplishments. or understanding because of uncertainty. wonder. incomprehension. and uncertainness. In both noisy and tongueless universes. explicating inquiries is necessary because it may take to an reply that solves one’s larning demand ( s ) . and she may oppugn farther while unwraping more cognition and greater apprehension. Six indispensable inquiries to inquire when seeking cognition and apprehension are â€Å"who. † â€Å"what. † â€Å"where. † â€Å"when. † â€Å"why. † and â€Å"how. † â€Å"Who† is concerned with what or which people were affected/involved. â€Å"Where† is concerned with the location/position of a individual. event. or object. â€Å"When† refers to a clip or circumstance. â€Å"What† asks information to stipulate something. â€Å"Why† asks for what ground or intent did an action/event return topographic point. â€Å"Howà ¢â‚¬  Tells in what mode something occurred. Like a relentless five-year-old kid oppugning his female parent. we must neer halt inquiring â€Å"why. † It is a simple inquiry. but can be the most hard to inquire. As we mature. we stop oppugning and merely accept replies or conditions. and travel frontward with our lives. Asking â€Å"why† stimulates our heads. In our deaf-and-dumb person universe. we must foremost inquire. â€Å"Why are we deaf? † Was the virus inflicted upon the universe so we could break understand what is like to be handicapped in order to be more understanding? On the other manus. is the Earth being punished? It is hard for us to inquire â€Å"why† because we are excessively accustomed to routine. Deafness has forced me to interrupt my modus operandi. go motivated. and more originative. I have become cognizant of other attacks of communicating and diversion. I can no longer keep an unwritten conversation with a friend while sipping a cappuccino ; alternatively. we must utilize manus gestures in order to pass on. I do non pass my eventides in forepart of a telecasting set since I have to read captions ; I now prefer busying my clip with reading. throwing Frisbees. or playing tennis. We. excessively. must inquire one another â€Å"why. † Not merely does â€Å"why† function as a footing for group treatment but it will promote others to oppugn their ain modus operandis or milieus. By inquiring others â€Å"why. † we may larn how others are get bying with their newfound hearing loss. Having an unfastened forum will non merely be curative but may reenforce oppugning everything like we did as kids. Asking â€Å"when† something happened or will go on is of import when informing an person or a group. but when life in a tongueless universe. the inquiry is least of import because no 1 is certain when our hearing will be restored. We must non brood on our hearing loss ; if we do. it may do isolation and depression. I keep reminding myself. and others. we are valuable. Our focal point should be on educating one another about status. If we do non oppugn. we do non larn ; hence. we do non derive greater apprehension of a belief or construct. The most basic ground for inquiring is so we get replies. I am incognizant as to how long this worldwide hearing loss will prevail. but I intend to garner every bit much cognition so I can understand my hearing loss and aid others. excessively. By oppugning what has occurred. it allows me to be more accepting of my hearing loss and helps me to keep an unfastened head. Through the treatment and inquiring of hearing loss. I am bring outing implicit in frights and limited beliefs. therefore opening myself to all that life has to offer.